Home Question Box Following Likes Archive Random RSS Mobile Tumblr
Tremendous.
jamesurbaniak:

So gratuitous.

jamesurbaniak:

So gratuitous.

A girl told me today that I’m too old to still be smoking weed, and so I asked her why she was trying so hard to get a pothead to join the Marines.

What is the use, then, of knowing anything about art until we know precisely what it is? If it is such an orchidaceous rarity as the world of worshippers would have us believe, then we know it must be the parasitic equivalent of our existence feeding upon the health of other functions and sensibilities in ourselves. The question comes why worship what we are not familiar with? The war has taught us that idolatry is a past virtue and can have no further place with intelligent people living in the present era, which is for us the only era worth consideration. I have a hobby-horse therefore—to ride away with, out into the world of intricate common experience; out into the arena with those who know what the element of life itself is, and that I have become an expression of the one issue in the mind worth the consideration of the artist, namely fluidic change. How can anything to which I am not related, have any bearing upon me as artist? I am only dada-ist because it is the nearest I have come to scientific principle in experience. What yesterday can mean is only what yesterday was, and tomorrow is something I cannot fathom until it occurs. I ride my own hobby-horse away from the dangers of art which is with us a modern vice at present, into the wide expanse of magnanimous diversion from which I may extract all the joyousness I am capable of, from the patterns I encounter.
Marsden Hartley, “The Importance of Being ‘Dada’”

Disliking hip-hop doesn’t make you a racist any more than liking hip-hop makes you not a racist, and I’m sure there are plenty of Stormfront enthusiasts with Rick Ross in their iTunes. If you don’t like Jay-Z because you just don’t like the way he sounds, or you’re sick of his cloying ubiquity, or you wish he’d talk about something other than where he’s from for five seconds—hey, I’m not mad, I don’t like Bruce Springsteen for the same reasons. But if you don’t like rap music—a genre that contains multitudes—because of a self-satisfied moralism, or because you’re scared of it, or because you wish those people would stop talking about their problems and get out of your television and radio and kids’ bedrooms: well.

And I’m not just talking about the American right, I’m talking about all the well-meaning white folks who’ve told me how they want to like Lil Wayne but lo, the misogyny, the violence, the drugs. But, but, I’ll say: Bob Dylan aced misogyny; the Rolling Stones sang about violence; the Velvet Underground knew their way around some drugs. Yeeeah, but it’s different, they’ll say, elongating that “yeah” with conspiratorial inflection: you know what I mean. Yeah, I know exactly what you mean.

Rap music doesn’t get unarmed kids shot to death, “it’s different” does. “It’s different” infuses “these assholes always get away” and gives solace to people who hear that sound bite and nod their empty heads in agreement. “It’s different” is the same logic that suggests a teenager’s skin color combined with the music he listened to means he had it coming, and it’s the same logic that lets a bunch of people feign outrage over a teenager’s use of the n-word to describe himself when they’re really just outraged that he beat them to the punch.

“It’s different” makes me shake with anger because it turns music into a dog-whistle to justify the murder of a kid who doesn’t seem all that “different” from me was when I was his age, not that different at all. I liked Skittles and hoodies and weed, too. And yeah, I’m white and never worried about getting shot for any of it, which is only the most loathsome excuse for not identifying with someone that I can possibly think of.

Jack Hamilton, “America Is Dying Slowly: Talking About Hip-Hop After Trayvon Martin” (Good)

but for real: read this.

(via champagnecandy)

Nice

(via wildcatrolin)

(Source: thediscography, via wildc4t)

bandungbrawlers:

People in NYC have been coming up and telling me they seen this all over tumblr and they think that it’s dope! Some people even wanted to buy it - unfortunately had to tell them that there are no immediate plans to sell these.
Totally unreal that this project has gotten this big already - and this is only a prototype. The finals will be leather jackets. I’m keen to get back home to finish this off with Jirat.

This is a “would buy”, audacious though it be.

bandungbrawlers:

People in NYC have been coming up and telling me they seen this all over tumblr and they think that it’s dope! Some people even wanted to buy it - unfortunately had to tell them that there are no immediate plans to sell these.

Totally unreal that this project has gotten this big already - and this is only a prototype. The finals will be leather jackets. I’m keen to get back home to finish this off with Jirat.

This is a “would buy”, audacious though it be.

(via jirat)

jirat:

This shit is macabre!

Google never fails

I was looking for a place to download Traxamillion’s remix of “Turf Dancing” by DJ Shadow, and Google was kind enough to suggest that I try “www.dj-shadow-turf-dancing-traxamillion-remix-mp3-download.kohit.net”. Sounds like a fine place to ask my computer to take me.

My new rap quote blog

I now run a second Tumblr, this one dedicated to a quote per day from whatever hip-hop song is blowing my mind at the moment. Follow if you’re into decontextualized lyrics about criminal activities.

http://selectedraplyrics.tumblr.com

-Kool G Rap, “The Meaning to Your Love”

This great Kool G Rap song samples “The Limit To Your Love” by Feist.